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Thomas Page McBee

“Another phenomenon is that masculinity is a lot more customizable than it used to be—for all men, not just trans men. There is no longer one primary way to be a man. For me, I think of being a man as being Thomas, an individual.”

LAMDA Literary Award Winner

Baillie-Gifford nonfiction book prize Finalist

Wellcome Book Prize Finalist

NPR Books, BuzzFeed, Kirkus, and Publisher's Weekly
Best Book of the Year

 

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“Trans Time Travel (January, 2027) is staggeringly beautiful. Thomas Page McBee’s writing is fluid, cinematic, and deeply felt, lingering in the body long after the final page. In exploring the cycles of visibility and repression, he exquisitely weaves together a multitude of trans voices, revealing the interconnectedness of our collective journey toward gender liberation. This book is a powerful meditation on transformation, a reminder that despite all efforts at erasure, our expansiveness persists. It is an urgently needed and remarkable achievement that will forever transcend time and space.”
— Elliot Page
“Few writers move as effortlessly between the deeply personal and the sweep of history as Thomas Page McBee. Trans Time Travel is rigorously intelligent without ever sacrificing its humanity, precise without losing its sense of wonder. A work of extraordinary generosity and curiosity, weaving memoir, reporting, philosophy, and cultural history into something wholly its own. This is the book I have been waiting for, to be able to share with those who need it—whether someone needs to see their own experience and ancestry reflected back or to step into a new way of relating. It’s a volume that strips away the insanity of the current cultural discourse around transness, distilling it into something necessary and, well, timeless.”
— Lena Dunham
“McBee’s lyrical, achingly honest exploration of loss and maturation offers a hopeful antidote to more toxic forms of masculinity.”
— Publisher's Weekly starred review for Amateur
“In an age when identity feels so splintered and fractional, McBee’s empathy with men feels refreshing, but it’s his determination to be accountable that is radical. He resolves his own masculinity crisis by doing the things men often think they’re doing, but so often are not: listening, asking questions, seeking help, being vulnerable.”
— The Guardian on Amateur
“This book relays a subtle, profound personal investigation into masculinity and personhood ... McBee’s great twist is to treat masculinity itself as an anthropological phenomenon, represented by this bloody, extreme sport. Inside the fight, McBee finds reconciliation.”
— The New Republic on Amateur
“McBee enlarges the study [of masculinity] from a series of vignettes into a full, poetic narrative ... a physical transition is part of the work of reclaiming the lost body. But first he must understand how violence fits into the male equation, using as his case studies two men who set out to do one thing but did the opposite: The protector who abused him, and the killer who let him live ... the act of writing could amount to a kind of revenge. But empathy, instead, is McBee’s objective, the most important part of becoming real in one’s own eyes. ‘Being human, ‘ he concludes, ‘means being at the mercy of others.’ That’s a part of aspiration, too. We are born human; with hard work, we achieve humanity.”
— The New York Times Book Review on Man Alive

Thomas Page McBee’s most recent book is Amateur: A True Story about What Makes a Man (Scribner, 2018), which was shortlisted for the UK’s Baillie-Gifford Nonfiction Book Prize and the Wellcome Book Prize, named a best book of the year by many publications, and translated into multiple languages. In the course of reporting the book, Thomas became the first transgender man to ever fight in Madison Square Garden. His first book is the Lambda award-winning debut memoir, Man Alive: A True Story of Violence, Forgiveness and Becoming a Man (City Lights, 2013), named a best book of the year by NPR Books, BuzzFeed, Kirkus, and Publisher's Weekly. His next book is Trans Time Travel: A Journey into American History, an urgent, kaleidoscopic, cross-country journey into our shared American history, forthcoming from Scribner in January 2027.

A  writer/producer, Thomas has developed projects for HBO and Showtime, and his screenwriting credits include The Umbrella Academy, where he architected and wrote the transition narrative for Elliot Page’s character, Viktor.  That storyline was widely praised in the press, and the season was nominated for a GLAAD award.  His essays and reportage appear in the New York Times, The Atlantic, GQ, Esquire, Vanity Fair, and many other outlets, and his work has been longlisted in Best American Sports Writing, recognized by the North American Travel Journalists Association, and supported by residencies at MacDowell and Yaddo.

In an interview with Guernica, McBee was asked about the idea of being “born in the wrong body”: “I think I was born in the right body—I’m just trans…The idea of being born in the wrong body just feels inherently very shameful. It’s also rooted in medicine; it’s the thing trans people had to say in order to get their hormones. It’s become this cultural expectation that has been passed down in our community. It’s so hard now to pull apart how many people made up that story themselves, how much of that is just a medical access issue, and how much of it is an oversimplified trope for people who don’t understand what it means to be trans. I just find that really problematic. People shouldn’t need that level of simplicity to comprehend it. People should work a little harder to understand it.”

He lives outside Los Angeles with his wife and two dogs.

“McBee enlarges the study [of masculinity] from a series of vignettes into a full, poetic narrative ... a physical transition is part of the work of reclaiming the lost body. But first he must understand how violence fits into the male equation, using as his case studies two men who set out to do one thing but did the opposite: The protector who abused him, and the killer who let him live ... the act of writing could amount to a kind of revenge. But empathy, instead, is McBee’s objective, the most important part of becoming real in one’s own eyes. ‘Being human, ‘ he concludes, ‘means being at the mercy of others.’ That’s a part of aspiration, too. We are born human; with hard work, we achieve humanity.”
— The New York Times Book Review on Man Alive
“McBee’s answer to the initial question of ‘What makes a man?’ is more generous, more inspiring, and more creative than the usual gender binaries allow. Full of bravery and clear, far-sighted compassion and devoid of sentiment, victimization, and cliché, McBee’s meditations bring him a hard-won sense of self—one that is bound to inspire any reader who has struggled with internal dissonance.”
— Publisher's Weekly starred review for Man Alive
 

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