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Betsy Lerner

“As one of my literary heroes, Truman Capote, wrote, "When God hands you a gift, he also hands you a whip." Now I understand that writers are a breed apart, their gift and whips inextricably linked. The writer's psychology is by its very nature one of extreme duality. The writer labors in isolation, yet all that intensive, lonely work is in the service of communicating, is an attempt to reach another person..”

Center for Fiction Prize for First Novel Longlist

New York Times Best Book of 2024

 

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Lots of ambitious books announce themselves; this one doesn’t need to. The first novel by Betsy Lerner forgoes all fanfare and conceit as it refines a 20-year coming-of-age into an elegant thread of taut, perfectly paced milestones. The prose is controlled, but neither virtuosic nor spare; the plot, enticing but neither Dickensian nor minimalist. Decidedly un-trendy, crescendo-less and restrained, this tragicomic family saga is a Bach prelude to the Rachmaninoff of a writer like Jonathan Franzen.
The New York Times on Shred Sisters
The younger of two siblings grows up the shadow of her beautiful, reckless, mentally ill sister. ‘Here are the ways I could start this story,’ Amy Shred says, offering three choices in a brief prologue to memoirist and literary agent Lerner’s debut novel. The story unfolds with the verisimilitude of a memoir: Amy’s nuanced relationships with her mother, her father, and her partners are all utterly convincing and relatable. A seamlessly constructed and absorbing fictional world, full of insight about how families work.
Kirkus Reviews starred review for Shred Sisters
Smart, funny and moving . . .this bright, clean, gallivanting story rewards an open mind and heart with crisp prose, fresh plot turns and dimensional dishy portraits we can instantly recognize. Amy’s voice — a perfect amalgam of weary cynicism, jealousy, angsty and steady, painful love — wins us instantly. Myriad scenes will make you want to both howl and laugh for their authentic, helpless absurdity. Lerner delivers a scrappy mélange of Mel Brooks and Sylvia Plath.
The Washington Post on Shred Sisters
In her absorbing memoir, Lerner probes marriage, career, motherhood, depression, aging, death, religion and sex, discovering that, although the Bridge Ladies’ generation differs from hers, they share common values of love and kinship. This beautifully written, bittersweet story of ladies of a certain age and era will have wide appeal.
Publishers Weekly starred review for Bridge Ladies
A deeply affecting memoir…a generous and honest examination, she honors these women’s lives.
The Boston Globe on Bridge Ladies
Lerner] doesn’t preach on how to write a book but rather tries to help writers and would-be authors cope with such problems as ‘being alone with it.’ It’s a survival course. She wants to help the writer who cannot get started embark, the writer stalled between projects ignite. She wants you to be an effective ‘self-promoter’ and not a ‘self-saboteur.’ The book is also an affirmation that late bloomers can become successful writers.
New York Times on The Forest for the Trees
An object lesson in how women can lose themselves in the quest to lose weight…Lerner’s generosity and bravery illuminate every page of this masterful story of a worthwhile life.
USA Today on Food and Loathing

Betsy Lerner is the author of the recently released novel, Shred Sisters  (Grove Press, October 2024), which was longlisted for the Center for Fiction Prize for First Novel, and was named a best book of 2024 by the New York Times. She is also the author of The Bridge Ladies: A Memoir (Harper, 2016), The Forest for the Trees (Riverhead, 2010), a guide for writers called “economical and witty” by the Seattle Times, and Food and Loathing: A Life Measured Out in Calories (Simon & Schuster, 2003). With Temple Grandin, she is the co-author of the New York Times bestseller Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns and Abstractions (Riverhead, 2022).

Having published her debut novel, Shred Sisters, in her sixties, she was asked in a recent interview how older writers can get started. “Write,” she responded. “Definitely keep a journal. It takes years and years and years to develop your voice and develop your skills. You have to love doing it. But if you don't really know where to begin, I would take a memoir class. I would be in a writing workshop. I would never let age stop anybody from doing anything.”

She received an MFA from Columbia University in Poetry where she was selected as one of PEN’s Emerging Writers. She also received the Tony Godwin Publishing Prize for Editors. After working as an editor for 15 years, she became an agent and is currently a partner with Dunow, Carlson and Lerner Literary Agency.

 

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