Vanessa Angélica Villarreal is the author of the essay collection Magical/Realism: Essays on Music, Memory, Fantasy, and Borders (Tiny Reparations Books, 2024), longlisted for the National Book Award and National Book Critics Circle Award, and the poetry collection Beast Meridian (Noemi Press, 2017), recipient of a 2019 Whiting Award, a Kate Tufts Discovery Award nomination, and winner of the John A. Robertson Award for Best First Book of Poetry from the Texas Institute of Letters. Her work has appeared in the New York Times, New York Magazine’s The Cut, Harper’s Bazaar, Oxford American, Paris Review, Poetry Magazine, and elsewhere. She is a recipient of a 2021 National Endowment for the Arts Fellowship, and served as an Art for Justice Fellow with the University of Arizona Poetry Center.
In an interview with Southern Review of Books, she was asked what threads weave through and around the essays in Magical/Realism: “One of the threads is an attachment to rebellious figures. I’m rebellious to a fault. I tend to really struggle against the status quo. I’ll find something that is unjust and I have to rail against it. I just can’t mind my own business about it. (It’s a shortcoming. Don’t do that.) As a result, I’ve attached myself to moments of rebellion in popular culture or rebellious figures. Whether it’s my dad in the music industry — he and my mom are my first rebels — to Kurt Cobain and Selena, who were rebels in their own disciplines.”
She holds a doctorate in English Literature and Creative Writing from the University of Southern California in Los Angeles, where she lives with her son.