Rabih Alameddine
“A book is never finished, really, until someone reads it. But a book is also not a writer's work alone; it's a combination of the reader and writer. And each reader has a completely different interpretation of a book...it's a communication between two solitudes.”
“Spectacular.”
“The great strength of this latest novel from National Book Award finalist Alameddine (An Unnecessary Woman) lies in how it deftly combines the biographical with the historical; the small, more personal moments often carry the most weight. A remarkable, surprisingly intimate tale of human connection in the midst of disaster.”
“The Angel of History takes place in a single day, but it reads like an epic . . . a sprawling fever dream of a novel, by turns beautiful and horrifying, and impossible to forget . . . Alameddine is a writer with a boundless imagination . . . [his] writing is so beautiful, so exuberant . . . When Alameddine aims for the heart, he doesn’t miss, and he hits hard . . . The Angel of History isn’t just a brilliant novel, it’s a heartfelt cry in the dark, a reminder that we can never forget our past, the friends and family we’ve loved and lost. It’s a raw love letter from those who survived a plague to those who didn’t.”
“An Unnecessary Woman is a meditation on, among other things, aging, politics, literature, loneliness, grief and resilience. If there are flaws to this beautiful and absorbing novel, they are not readily apparent.”
“A massively ambitious book which is likely to become a modern classic.”
“Rabih Alameddine is one of our most daring writers—daring not in the cheap sense of lurid or racy, but as a surgeon, a philosopher, an explorer, or a dancer. In this delightful novel, he takes his greatest risks yet, and succeeds brilliantly, in a work that while marked by radical formal innovation, manages to be warm, sad, funny and moving.”
Rabih Alameddine is the author of six critically acclaimed novels, most recently The Wrong End of the Telescope (Grove Atlantic, 2021), winner of the PEN/Faulkner Award, which Publisher’s Weekly called, “profound and wonderful,” The Angel of History (Atlantic Monthly Press, 2016), An Unnecessary Woman (Grove Press, 2014), a finalist for the National Book Award and the National Book Critics Circle Award, the winner of the California Book Award, and a Washington Post, Kirkus, and NPR Best Book of 2014, The Hakawati (Knopf, 2008), I, The Divine (W.W. Norton, 2001), and Koolaids (Picador, 1998). He is also the author of a book of short stories,The Perv (Picador, 1999.) Alameddine received a Guggenheim Fellowship in 2002.
When asked by Dan Sheehan in Electric Literature if he considers himself a political writer, Alameddine responded, “Well, yes, I am a political writer...what fiction is not political? The trouble with the United States is that there is this delusion that the written word can ever not be political, and that if something is political, it is somehow less than. I’ve said this one hundred times and I’ll say it again: if your country is dropping bombs in Yemen and you decide to write about a woman in Beirut who is seventy-two and doesn’t leave her house, that is a political book. If your country’s policemen are shooting unarmed black men on the street, and you write about a white couple in Minneapolis, that is a political decision. To write about the human condition is political; it’s one of the greatest political acts. Art has never been apolitical.”
Born in Amman, Jordan, he grew up in Lebanon and Kuwait, lived in England, then moved to the US. He earned a degree in engineering from UCLA and an MBA in San Francisco before becoming a painter and novelist. He divides his time between Beirut and San Francisco.
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(c) Benito Ordoñez
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