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Fariha Róisín

“Everybody needs to heal. Everybody needs to want to. Because if everybody does, then we can have the world that we want, where we’re looking out for others, caring about others. Everything is an offering and I’m accepting what I’m being offered.”

NPR and Harper’s Bazaar Best Book of 2020

 

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Roísín, a queer Bangladeshi Muslim, returns to poetry after her 2020 novel, Like a Bird, and her 2022 nonfiction title, Who Is Wellness For?. Her new collection takes a hopeful approach to topics including generational trauma, self-love, and freedom, while also exploring her intersecting identities.
Publishers Weekly on Survival Takes a Wild Imagination
Fariha Róisín’s poetry is filled with love, poignancy, strength, and the determination to choose her own course. This is how we can begin collectively healing the difficult dynamics that are so prevalent. She advises us to never forget, survival takes a wild imagination.
Bay Area Reporter on Survival Takes a Wild Imagination
Most poetry collections at this length generally move through one or two themes but Róisín’s focuses on a variety of different aspects of her life, her identity, and her faith… Although the collection is split into three sections (to hint at the ideas that connect all of the poems in that section), Róisín weaves all of the ideas, feelings, and memories she’s excavating and interrogating through one another to prove how no one experience is truly untouched by another.
Autostraddle on Survival Takes a Wild Imagination
In this blistering blend of memoir and cultural criticism, novelist Róisín (Like a Bird) traces her path to healing as an abuse survivor and takes an unsparing look at the appropriation and corruption of Eastern spiritual practices for Western audiences. . . . Ultimately, Róisín’s answer to the question her title poses is that ‘wellness isn’t for anyone if it isn’t for everyone,’ and through vivid writing and striking curiosity, she makes a solid case for making it so. This profoundly enriching survey nails it.
Publishers Weekly starred review for Who is Wellness For?
Who is Wellness For? is a crucial look at the commodification of care that’s timely and precise, yet deeply soulful. Treading a fine line between cynic and disciple, Fariha Róisín guides us through modalities of healing with a critical and compassionate eye. Who is Wellness For? is a plea for empathy, hope, and yes, self-care.
— Stephanie Danler
Taylia’s story is one of survival and the power of community, something Róisín captures with her beautiful prose and a piercing perspective that touches on today’s political and social climate.
Vogue on Like a Bird
[Roisin’s] writing is intensely vulnerable and through revealing her own experience she reflects so many others.
Bustle on Like a Bird

Fariha Róisín is a writer, culture worker, and educator. Their most recent book is the poetry collection Survival Takes a Wild Imagination  (Andrew McMeels, 2023). Their examination of wellness culture, Who Is Wellness For?: An Examination of Wellness Culture and Who It Leaves Behind (Harper Wave, 2022), was praised as “a blistering blend of memoir and cultural criticism” by Publishers Weekly in a starred review. Their other books include the novel Like a Bird (Unnamed Press, 2020), the poetry collection How to Cure a Ghost (Abrams, 2019), and  Being in Your Body Guided Journal: A Journal for Self-Love and Body Positivity (Abrams, 2019). Their work has pioneered a refreshing and renewed conversation about wellness, contemporary Islam, degrowth and queer identities and has appeared in Al Jazeera, The Guardian, Vice, Village Voice, and others. 

Asked in an interview about how they feel about speaking their own work and if it ever feels like performance, Róisín responded, “I’m obsessed with authenticity in a way that has been a barrier for me in the past. But we work under capitalism, so in order to sell a book, in order to be charming, 100% there is a performance. And as much as I might think I am performing, I’m also being authentic. Can those two things coexist? I guess they do because that’s how I feel about it. When you see me on stage and I’m in my element, I’m very comfortable in my element, I’m not faking it. I’m not just this blanket performer, I’m also a human being who is feeling things, and being honest about that is always a beautiful thing that you offer the audience.”

Born in Ontario, Canada, they were raised in Sydney, Australia, and are based in Los Angeles, California. As a Muslim queer Bangladeshi, they are interested in the margins, liminality, otherness, and the mercurial nature of being

 

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